Doth our eyes deceive us, or ist another style lord born unto the people? Per chance, m'liege. Matt Smith has always been a dresser, but in the run up to the release of Game Of Thrones: House of the Dragon, he seems to have really stepped things up a notch, and in one very slick, very easy to mimic direction: he's gone totally tonal.

First there was the all-white look at Wimbledon, courtesy of Ralph Lauren. A safari-ish vibe for Centre Court, replete with chest pockets and pleated, 'Gurkha-belted' trousers. So far so simple, but the smart move was to punctuate proceedings with low-profile tassel loafers, an especially mega Rolex Datejust and keyhole shades. Amongst the Windsor knots and blue blazers of SW19, Smith stood out for his minimalist chic (and likely survived the heatwave better than most, too.)

london, england   july 10 matt smith, wearing ralph lauren, attends the ralph lauren suite during the championships, wimbledon 2022 at all england lawn tennis and croquet club on july 10, 2022 in london, england photo by darren gerrishwireimage for ralph lauren
Darren Gerrish
Matt Smith at Wimbledon 2022
los angeles, california   july 27 matt smith attends hbo original drama series house of the dragon world premiere at academy museum of motion pictures on july 27, 2022 in los angeles, california photo by axellebauer griffingetty images
Axelle/Bauer-Griffin
At the Game of Thrones premiere

And last night he did the same, only in reverse. At the GOT premiere in LA, he sported an equally-louche but conversely shaded all-black Paul Smith suit, and nailed the minimal/tonal thing once again. Lifted directly from the S/S'23 collection (look 15), the generously-cut suit and v-neck tee perfectly demonstrate that even the simplest styling can lead to the sleekest look, providing everything fits as it should. Demonstrating that canny restraint once again, Smith opted for simple Chelsea boots, a low-profile white gold, yellow gold and rose gold chain by Cartier and Paul Smith sunglasses. We're still a few weeks from GOT hitting screens, so there's still plenty of time for more Smithian minimalism, and we wait with bated breath.